In Crouching Tiger, Hidden Dragon, impost oppresses individuals and their relationships, yet it withal empowers. Jen is laden by the moderate of tradition, and her traditionalistic role as a young-bearing(prenominal) oppresses her relationship with Lo. Li Mu Bai, however, is empowered by the guidance of tradition. Ang lee(prenominal) uses train techniques to present this dual affect. Tradition cleaves Jen from her fighting talents. Jens p bents campaign her to marry, unless have no parental role; lee restricts their apparent motion man in the film, and so isolates the tradition they carry. therefore leeward conveys that tradition oppresses Jen because it is an unhuman law passed by unhuman parents. Further, downwind contrasts Jens behaviour as a fighter with her behaviour at her parents home, a motif of tradition. The homes silent rooms, plain walls, and the heavy servants wear are symbols of Jens restricted future, for Jen is no fighter at home--she writes calligr aphy and drinks tea. Lee captures such contrast to suggest that tradition oppresses Jen because it confines her. moreover Jen breaks these confines: in place of her family, she adopts Jade booze as her mother and Shu Lin as her sister, in place of her home, she escapes to the cast off with Lo. In the vast red and orange desert, where there are no confines, Jen fights; her flying-style suggests Jen is defying the gravity of tradition.

In the love scene, Lo removes Jens subjection when he removes her traditional clothing, the exposed skin symbolises Jens freedom, her true happiness. She also lets her sensory hair o ut and wears Los clothing, symbolic of her d! iscard of tradition. Hence Lee uses the trade in Jens character, in her decision to withstand tradition, as a means of highlighting the extent of her oppression at home. The maidenlike order of tradition becomes a hindrance between... If you want to fix a full essay, order it on our website:
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